«On the Wednesday of Art Week in NYC, the Armory show opens. But not to the public, yet – the first day is a preview for members of the press and insiders, plus their Highnesses the Collectors, without whom there would be no art show altogether. We, the art lovers, the dreamers, the inspiration and kick seekers, tend to be remote from the business side, and maybe that’s why I didn’t see many akin souls around that night, while usually the public is as original and interesting as the art.
I wanted to be admitted to preview day for a long time, and this year, somehow, I managed to get a pass. What I honestly wanted were the rivers of champagne I was told about, to wander around beautiful art in a delicious tipsy state, and I was giving for granted there would have been less people than during regular admission days. Well, champagne was $20 a (plastic) glass, unless a gallery would share their allowance, which they didn’t, not with me, and the mass of people was thick, as usual.
I had this idea of not wearing ear buds for this, curious to listen to some industry talk, and some industry talk I overheard alright, but quite disturbing, quite prosaic it was: hissing voices of seemingly cut-throat salespeople, exchanging rushed remarks about how to get a customer to buy; hi-pitched ladies voices, unchecked for once because of too much champagne, calling their friends across from the (champagne) bar, waiving their jeweled hands; couples seriously discussing where in the house to place a picture, better above the sofa or above the fireplace? And young professionals, with very charming accents and demeanor…bragging, that is alas the perfect word for it, about the prestige of the gallery/institution/publication they work for, like if it were theirs, all these moons glowing with corporate light, they always puzzle me.
The art at the Armory Show is amazing, and the vast, diverse display really touches me, maybe because this is the grand finale for the artwork, which in a way makes the show a big great cemetery really, here art is passing from the hands, talent, rapture and passion that created it, on to commerce and life as a commodity. Long lives the art industry.»
–– Angie Mauri
ARMORY SHOW
2016 Armory Focus: African Perspectives.
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Armory Presents: Ed Fornieles (left: Furry, 2016), Carlos/Ishikawa
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Armory Presents: Julia Bland, Ryan Mrozowski at On Stellar Rays
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Armory Presents: Mario Pfeifer, KOW
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Armory Presents: Margo Wolowiec, Anat Ebgi
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Armory Presents: Jannis Verelas, Joshua Abelow at James Fuentes
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Armory Presents: Julian Charrière, Dittrich & Schlechtriem
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Ward Shelley, Teenagers, V.2 (2015), Pierogi Gallery
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Amalia Ulman (2016), Whitechapel Gallery
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Roberto Cuoghi (2015), Whitechapel Gallery
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Thomas Ruff, Lia Rumma
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Ai Weiwei, Shelter (2014), Lisson Gallery
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John Akornfrah, Lisson Gallery
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Roxy Paine (2015), Paul Kasmin Gallery
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Francesco Simeti, The wilds (2015), Francesca Minini
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Shannon Bool, Vlassis Caniaris, Shannon Bool, Natalie Czech at Kadel Willborn
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Camille Henrot, Amoeba (2014), König Galerie
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Njideka Akunyili Crosby, Victoria Miro
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Zoe Paul, The Breeder
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Installation view at The Breeder
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Marlène Mocquet, Galerie Laurent Godin
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Peter Liversidge, After Max Klinger (2013), Ingleby Gallery
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Yayoi Kusama, Pumpkin (2015), David Zwirner
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Sigalit Landau, Hezi Cohen Gallery
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Maria Bartuszovà, Alison Jacques Gallery
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Oscar Murillo (2013-2015), David Zwirner
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Oneyedika Chuke, The Untitled: Remington, c. 1890 (2015), Magazzino
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P420 Gallery
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Cecily Brown (2015), Two Palms
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Armory Focus: Namsa Leuba, Echo Art (Lagos)
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Armory Focus: Kapwani Kiwanga (2016), Jérôme Poggi / Tanja Wagner
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Armory Focus: Nengi Omuku, Omenka Gallery (Lagos)
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Armory Focus: rubi onyinyechi amanze, Mariane Ibrahim Gallery
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Armory Focus: Dan Halter, WHATIFTHEWORLD (Cape Town)
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Armory Focus: Francisco Vidal, Tiwani Contemporary
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Armory Focus: Special Project, Lebohang Kganye, Pied Piper’s Voyage (2014)
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Ana Maria Tavares, Victorias Regias (2014), Sicardi Gallery
VOLTA NY
The invitational solo project fair.
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Franklin Collective, The Gallery, New York
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Meg Hitchcock, Studio 10
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Kate Clark, Behaving (2016) at “Something I can Feel,” Curated Section by Derrick Adams
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Kate Clark, Behaving (2016) at “Something I can Feel,” Curated Section by Derrick Adams
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Balint Zsako at “Something I can Feel,” Curated Section by Derrick Adams
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Jorge Pineda, Lucy Garcia Gallery
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Jorge Pineda, Lucy Garcia Gallery
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Jorge Pineda, Lucy Garcia Gallery
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Jorge Pineda, Lucy Garcia Gallery
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Nadine Wottke, widmertheodoridis
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Alfredo Esquillo, Jr., Yod Gallery
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Chris Jones, Marc Straus Gallery
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Laura Bruce, New Art Projects
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Laura Bruce, New Art Projects
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Che Yu Hsu, Nunu Fine Art
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Keun Young Park, Muriel Guepin Gallery
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Keun Young Park, Muriel Guepin Gallery
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Keun Young Park, Muriel Guepin Gallery
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Hrafnhildur Arnardottir, “Shoplifter”, Hverfisgalleri
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Hrafnhildur Arnardottir, “Shoplifter”, Hverfisgalleri
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Milutin Gubash, Galerie Trois Points
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Mike Simi, Season
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Maurizio Anzeri, Haines Gallery
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Maurizio Anzeri, Haines Gallery
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Ivan Lam Wai Hoe, Wei-Ling Gallery
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Ivan Lam Wai Hoe, Wei-Ling Gallery
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Guido Caseretto, Zilberman Gallery
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Guido Caseretto, Zilberman Gallery
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Per Kesselmar, Galleri Fagerstedt
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Per Kesselmar, Galleri Fagerstedt
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Skylar Fein, Jonathan Ferrara Gallery
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Mario Macilau, Ed Cross Fine Art
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Mario Macilau, Ed Cross Fine Art
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Brittany Nelson, Morgan Lehman Gallery
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Majla Zeneli, Jarmuschek + Partner
SPRING BREAK ART SHOW
New York City’s curator-driven art fair. 2016 edition: ⌘COPY⌘PASTE.
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No Gains On Sacrifice, curated by Claire Mirocha and Vanessa Thill
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Light Show, curated by Jonah Freeman
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Magali Duzant, A Clearing In The Woods, 1969/2012 (2012) at 4RL, curated by Nati Hyojin Kim and Kat JK Lee
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Celeste Marie Welch, HIGHFEMMEHOBBIT (2011) at Appropriate(d) Behavior, curated by Micheal Gaughran
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David B. Smith, Extruded Daydream, curated by Jessica Hodin
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Sonya Blesofsky, Study in Proportions (2016), curated by Auxiliary Projects
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Dustina Sherbine, Trailer Park Series (2013), curated by Dennis Dawson
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“The Bloody Chamber” (2016) (detail) by Maggie Dunlap, curated by Myla Dalbesio
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“The Bloody Chamber” (2016) by Maggie Dunlap, curated by Myla Dalbesio
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Cameron Dailey, The Past That Suits You Best (detail), curated by Michelle Tillou
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Christian Maychack (left and right), Nancy White (middle), curated by Kirk Stoller
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Brendan Carroll, Money Shot Polaroids, curated by Krista Saunders Scenna
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Derby, “Zika, stage 2″ (2016), curated by Marc Azoulay
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Michael Adno, Cracker Politics, The Limits of Colonial Knowledge, curated by Alejandro Jassan
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Michael Adno, Cracker Politics (detail), curated by Alejandro Jassan
INDEPENDENT NY
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Stefan Bruggemann, Parra Romero
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Stefan Bruggemann, Parra Romero
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Stefan Bruggemann, Parra Romero
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Jess Fuller, Martos Gallery
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Jess Fuller, Martos Gallery
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Joanna Malinowska, Canada
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Joanna Malinowska, Canada
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Jared Madere, David Lewis Gallery
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Paulo Nazareth, Mendes Wood DM
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Philippe Decrauzat, Elizabeth Dee Gallery
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Philippe Decrauzat, Elizabeth Dee Gallery
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Wolfgang Tillmans, Maureen Paley
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Peter Hujar, Maureen Paley
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Evan Holloway, David Kordansky Gallery
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Evan Holloway, David Kordansky Gallery
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Jory Rabinovitz, Martos Gallery
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Cally Spooner, GB Agency
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Jean Marie Appriou (sculpture), Sebastian Black (painting), Clearing
Armory show and Spring Break art show: photographs by Matilde Soligno
Volta NY and Independent NY: photographs by Didem Civginoglu
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