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Quando somos 2 somos três. Fundação Portuguesa das ComunicaçõesClaudio Zecchi | Dec 11, 2018
A few notes on the group exhibition at Fundação Portuguesa das Comunicações in Lisbon Reading the title of the exhibition – Quando somos 2 somos três by artists Sara Bichão and Manon Harrois …
Artissima Live – Interview with Yann Chateigné TytelmanVincenzo Estremo | Dec 5, 2018
Following the experience at #ArtissimaLive, Droste Effect is publishing the interviews collected during Artissima 2018 in Turin; find all articles at #ArtissimaLive. Third conversation: curator Yann Chateigné Tytelman Yann Chateigné Tytelman is a Berlin-based curator, …
Artissima Live – Interview with Marco ScotiniVincenzo Estremo | Nov 26, 2018
Following the experience at #ArtissimaLive, Droste Effect is publishing the interviews collected during Artissima 2018 in Turin; find all articles at #ArtissimaLive. Second conversation: curator Marco Scotini on artist Zheng Bo Marco Scotini is Artistic …
Artissima Live – Interview with The Cool CoupleDroste Effect | Nov 19, 2018
Following the experience at #ArtissimaLive, Droste Effect is publishing the interviews collected during Artissima 2018 in Turin; find all articles at #ArtissimaLive. First conversation: artist duo The Cool Couple The Cool Couple is an artist duo established …
Artissima 2018: Winners and HighlightsDroste Effect | Nov 13, 2018
In the days following the 25th edition of Artissima in Turin, many of the fair exhibitors were returning home with a gain, and with a lot more work planned for the future. An example …
Towards Artissima with P420 director Alessandro PasottiMatilde Soligno | Oct 31, 2018
Gallerist Alessandro Pasotti in the Selection Committee for Artissima 2018 Matilde Soligno: Less than ten years after co-founding – with Fabrizio Padovani – P420 Arte Contemporanea in Bologna (Italy), you were invited to be …
Fabio Roncato: Il pianeta dove evaporano le rocceEleonora Castagna | Oct 29, 2018
On Fabio Roncato’s solo show The Planet Where Rocks Evaporate «Close these remains in their tombs. Gutai art doesn’t change materials, it brings them to life. Gutai art doesn’t counterfeit materials. In Gutai art, …
Interview with Artissima curator Ilaria BonacossaVincenzo Estremo | Oct 15, 2018
Artissima is Italy’s most important contemporary art fair. Since its establishment in 1994, it has combined the presence of an international market with a focus on experimentation and research. We met the director Ilaria Bonacossa in …
David Wojnarowicz: Place and HistoryRobin Newman | Oct 9, 2018
David Wojnarowicz was first shown at the Whitney Museum in 1985 as a part of the museum’s Biennial which focused on avant-garde artists based in New York City’s East Village. Now, some 33 years later …
In conversation with Las PalmasClaudio Zecchi | Aug 1, 2018
Las Palmas is an artist-run space founded and based in Lisbon in 2017 by artists Aires de Gameiro, Hugo Gomes, Nuno Ferreira and Pedro Cabrita Paiva. Characterized by its pink walls, the project space aims …
Art in the Age of the Cloud. Interview with Carlo ZanniVincenzo Estremo | Jul 24, 2018
As part of the project activities of the Media Theory and Methods class I teach at NABA Milan, Simona Cuttitta, Letizia Mari and Martina Matteucci met with artist Carlo Zanni to talk about his recent …
Maybe you will win | Pietro Gaglianò on Ryts MonetEleonora Castagna | Jun 21, 2018
> The 6. Moscow International Biennale for Young Art has begun on June 8, 2018. Its main exhibition is curated by Lucrezia Calabrò Visconti, an Italian independent curator, and includes artwork by Ryts Monet. …
