Blog

Escher, Chiostro del Bramante Escher seen in Rome. Prospectively the same after ten years
Manuele Menconi |

Many things can come to your mind when you wonder about Escher. The artistic period in which he developed his marks is for sure one of a kind, filled with several different influences. Even the …

William Dailey, the Good Luck Gallery, Los Angeles Old and Curious Books from the Collection of William Dailey. The Good Luck Gallery, Los Angeles
Droste Effect |

Throughout the month of September the Good Luck Gallery reinvented itself as a bookstore, focusing on the collector as artist. Old and Curious Books from the collection of William Dailey displays a selection from the …

Amy Gadney, Painting Palettes (1-12), 2014, courtesy of Cecilia Brunson Projects Amy Gadney, Ghost Load at Cecilia Brunson Projects, London
Gowri Balasegaram |

A light box with an almost silent motor creates a movement reminiscent of sunlight dappling through a tree; a door recreated with frosted acrylic, a black ring where the handle used to be, is both …

2014 Ars Electronica Festival 2014 Ars Electronica Festival. Creativity and Innovation; focus on Artists as catalysts
Bruna Esperi |

«C … what it takes to change» is the theme of this year’s Ars Electronica in Linz, where the C stands for change and for confidence but also for creativity, collaboration and catalysts. The fascinating …

The Artist and The Stone: A conversation between Viviana Checchia, Giuliana Racco and Matteo Guidi
Vincenzo Estremo |

Droste Effect Magazine is very proud to host a conversation between curator Viviana Checchia and artists Giuliana Racco and Matteo Guidi on The Artist and The Stone, a project by Giuliana Racco and Matteo Guidi. …

Isa Genzken, Kunsthalle Wien The Only Female Fool. Isa Genzken at Kunsthalle Wien
Bruna Esperi |

I’m Isa Genzken, The Only Female Fool in the self-chosen title of Isa Genzken’s exhibition curated by Nicolaus Schafhausen at Kunsthalle Wien. This statement, as we can read in the booklet of the exhibition, characterises …

Lovorka Lukani, Museum of Porec territory Lovorka Lukani: Papir Pamti – The Paper Remembers, Museum of the Poreč territory
Sabina Damiani |

Through an experimental printmaking technique, Lovorka Lukani researches the possibilities of the white area of paper. She doesn’t use any pigments, the images printed onto the paper are only visible through a play of light …

Samara Golden, Hammer Museum, Make Something of Yourself. Made in L.A. 2014
Emily Kramer |

“If you are committed to love, courage, magic, fearless adventuring into the unknown, and continuous expansion for all on this earth and beyond, please take a booklet.”  The invitation from artist Jennifer Moon is written …

Bruce Nauman, fusedspace A Topography of Chance at fused space, San Francisco
Catherine Nueva España |

The curator Jessica Silverman was inspired by Daniel Spoerri’s 1961 documentary novel/map An Anecdoted Topography of Chance, suggesting that “chance is not random, but shaped by ritual and repetition.” This group show, with Bruce Nauman, …

Celebration by Raul de Nieves Anxious Spaces: Instillation as Catalyst
Robin Newman |

Anxious Spaces: Instillation as Catalyst presented six artists working in what Rosalind Krauss called “the expanding field” of sculpture, forging new modes and styles of sculpture. More precisely in the exhibition’s case instillation art, although …

RozO (Philippe Zourgane e Severine Roussel) When vegetation is not decoration,  ©ECPAD/France/ unknown photographer, ALG 56 124 Vegetation as a political agent. A geography of nature’s resistance
Vincenzo Estremo |

Years ago a dear friend of mine pointed out to me that most of the plants that we usually call “weed” come from South America. They arrived in Europe after the colonization of the American …

Christine Elfman, Gallery Wendi Norris Christine Elfman at Gallery Wendi Norris
Catherine Nueva España |

Christine Elfman is a practitioner and teacher of photography, and her technical rigor is evident: images and diptychs convey both the essential and the ephemeral. In Looking Back, the play of light/shadow, background/foreground, and immediacy/mystery …

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