Blog
Escher seen in Rome. Prospectively the same after ten yearsManuele Menconi | Oct 7, 2014
Many things can come to your mind when you wonder about Escher. The artistic period in which he developed his marks is for sure one of a kind, filled with several different influences. Even the …
Old and Curious Books from the Collection of William Dailey. The Good Luck Gallery, Los AngelesDroste Effect | Oct 6, 2014
Throughout the month of September the Good Luck Gallery reinvented itself as a bookstore, focusing on the collector as artist. Old and Curious Books from the collection of William Dailey displays a selection from the …
Amy Gadney, Ghost Load at Cecilia Brunson Projects, LondonGowri Balasegaram | Oct 2, 2014
A light box with an almost silent motor creates a movement reminiscent of sunlight dappling through a tree; a door recreated with frosted acrylic, a black ring where the handle used to be, is both …
2014 Ars Electronica Festival. Creativity and Innovation; focus on Artists as catalystsBruna Esperi | Oct 1, 2014
«C … what it takes to change» is the theme of this year’s Ars Electronica in Linz, where the C stands for change and for confidence but also for creativity, collaboration and catalysts. The fascinating …
Vincenzo Estremo | Sep 3, 2014
Droste Effect Magazine is very proud to host a conversation between curator Viviana Checchia and artists Giuliana Racco and Matteo Guidi on The Artist and The Stone, a project by Giuliana Racco and Matteo Guidi. …
The Only Female Fool. Isa Genzken at Kunsthalle WienBruna Esperi | Aug 26, 2014
I’m Isa Genzken, The Only Female Fool in the self-chosen title of Isa Genzken’s exhibition curated by Nicolaus Schafhausen at Kunsthalle Wien. This statement, as we can read in the booklet of the exhibition, characterises …
Lovorka Lukani: Papir Pamti – The Paper Remembers, Museum of the Poreč territorySabina Damiani | Aug 19, 2014
Through an experimental printmaking technique, Lovorka Lukani researches the possibilities of the white area of paper. She doesn’t use any pigments, the images printed onto the paper are only visible through a play of light …
Make Something of Yourself. Made in L.A. 2014Emily Kramer | Aug 13, 2014
“If you are committed to love, courage, magic, fearless adventuring into the unknown, and continuous expansion for all on this earth and beyond, please take a booklet.” The invitation from artist Jennifer Moon is written …
A Topography of Chance at fused space, San FranciscoCatherine Nueva España | Aug 7, 2014
The curator Jessica Silverman was inspired by Daniel Spoerri’s 1961 documentary novel/map An Anecdoted Topography of Chance, suggesting that “chance is not random, but shaped by ritual and repetition.” This group show, with Bruce Nauman, …
Anxious Spaces: Instillation as CatalystRobin Newman | Jul 29, 2014
Anxious Spaces: Instillation as Catalyst presented six artists working in what Rosalind Krauss called “the expanding field” of sculpture, forging new modes and styles of sculpture. More precisely in the exhibition’s case instillation art, although …
Vegetation as a political agent. A geography of nature’s resistanceVincenzo Estremo | Jul 21, 2014
Years ago a dear friend of mine pointed out to me that most of the plants that we usually call “weed” come from South America. They arrived in Europe after the colonization of the American …
Christine Elfman at Gallery Wendi NorrisCatherine Nueva España | Jul 15, 2014
Christine Elfman is a practitioner and teacher of photography, and her technical rigor is evident: images and diptychs convey both the essential and the ephemeral. In Looking Back, the play of light/shadow, background/foreground, and immediacy/mystery …





