Marco Antelmi



Articles by Marco Antelmi

Hillary Clinton's visit at Kenneth Goldsmith's HILLARY: The Hillary Clinton Emails, curated by Francesco Urbano Ragazzi, exhibition view, © Giorgio De Vecchi. Gerda Studio 2019 Francesco Urbano Ragazzi. Making Re-Reality Manifest

A conversation with curators Francesco Urbano Ragazzi     Francesco Urbano Ragazzi is a curatorial duo formed in 2005, whose research focuses on redefining the commission and the theoretical foundation of the work of art …

Magazzino, Namsal Siedlecki, Artissima #ArtissimaLive Interview with Namsal Siedlecki

Namsal Siedlecki (1986, USA) may be considered an artist of the transformation. In his practice, he brings together considerations on public and private space, institutional processes, art history and science, with a focus on chemical …

Cally Spooner, Installation view, Dead Time (2018), installation view, incomplete partition wall, score of 63 elements (inkjet prints, marker and pen on paper, pencil and ink on technical paper, plastic wallets), 1 x Bose 5 second-generation Virtually Invisible® single cube speaker, audio of nonprofessional, hastily assembled choir, amplifier, open windows, road outside. 15 meters, 4'31" loop. Courtesy the artist and ZERO... Gallery Milano. Photocredit: Roberto Marossi Interview with Cally Spooner

Cally Spooner is one of the most interesting figures in performance art today. Winner of the illy Present Future Prize at Artissima, Turin in 2017, she challenges object performativity while overcoming the binary definition of …

Pedro Neves Marques, Umberto di Marino Interview with Pedro Neves Marques

Pedro Neves Marques (1984) is a Portuguese artist based in New York whose practice ranges from video to the written word. Pedro Neves Marques’s works have much in common with science-fiction, but above all they …

Susan Philipsz, Part File Score, 2014. Installation view Hamburger Bahnhof, Berlin 2016. Courtesy the artist and Galerie Isabella Bortolozzi, Berlin. Artissima Live – Interview with Susan Philipsz

Following the experience at #ArtissimaLive, Droste Effect is publishing the interviews collected during Artissima 2018 in Turin; find all articles at #ArtissimaLive. Fourth conversation: artist Susan Philipsz Susan Philipsz (Glasgow, 1965) is not a sound artist; …

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