During his residency at Arebyte, London, Reynir Hutber has transformed the gallery space into a dynamic entity, generated by the interaction of linear structures, video recording devices and audio works. On the eve of the …

Would you explain, in a few words, what Random Institute is? Random Institute is many things for many people. It’s all about perception, and most people perceive it as an institution that generates unlikely encounters …

    This year marked the 21st anniversary of Art Basel’s younger and cooler sister, LISTE. Since its inception in 1995 the fair defined the “list” of hype, emerging art galleries with a strong curatorial statement. …

“The Wind from Nowhere” is the first solo show by Cristiano Focacci Menchini (Viareggio, 1986) by New York-based curator Eugenia Delfini (Rome, 1983), which will be up at Eduardo Secci Contemporary in Pietrasanta, Italy until …

The History of Art, perhaps like her older sister “History”, always needs to be questioned in order to stay alive. It’s not a coincidence that in our contemporary world, important artist figures often run the risk …

What would you expect from art in the decades ahead? These weeks in London, a group exhibition at Rowing reflects on this question, in the attempt to identify the tendencies and events of present days, …

The current exhibition at Villa Romana features artwork by this year’s winners of the Villa Romana Prize: Flaka Haliti, Stefan Vogel, Nico Joana Weber, and Jonas Weichsel. The show is divided into three rooms. The …

  When you go see a show of Arianna Carossa, you know you’re not going to be bored. The Italian-born, New York-based artist focuses on site-specific, almost environmental installations, that engage in an ever-changing dialogue …

Galleria P420 is currently showcasing the exhibition Naïve Set Theory by Paolo Icaro. The name references the mathematical theory developed by Georg Cantor whereby a set is made up of different elements. This choice of …

I might write the history of my meetings with Hugo Canoilas just by recalling what we ate each time we were together. I don’t know why, but every time I met Hugo we ended up …

The sacred and profane are here revolving around a symbol – the cross, the crucifixion – and three different artists’ work. Well, I would better say two artists plus one apart: i.e. Francis Bacon. The …

    The shape of books changes throughout history, reflecting institutional paradigms. Physical supports interface with institutional archiviation and distribution processes. And right at the center of Toast: Zur Erweiterung des Buchformats Expanding the Book …